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China's short-drama platform begins to curb AI's 'one-face-fits-all' problem_我的网站

天下足球

A | 视频脚本：张玉超、闫漪视频剪辑：刘昀出镜：周颖配音：赵仕嘉

海报设计：孙钰芳7月7日，平津战役纪念馆内人流如织，机关单位、企业、学校等多支团体有序参观，在肃穆厚重的红色场馆中回望烽火岁月。平津战役作为三大战略决战的收官之战，历时64天，创造了“29小时解放天津”的“天津方式”、和平解放北平的 “北平方式”两大战争典范。

B | 回望历史，整场平津战役中，冀中、冀东、北岳数百万群众放下农具、全员参战，以木榔头、担架、千层军鞋、石碾等为武器，构筑起横跨燕赵大地的“后勤长城”，完整诠释了人民战争的国防动员底层逻辑。

C |

Screenshots of the short drama videos featuring AI characters sharing near-identical faces Almond-shaped eyes, petal-like lips and a permanent soft-focus glow on the cheekbones, the faces of AI-generated short-drama characters can be almost too perfect.
After binge-watching several AI short dramas on Chinese short-video platforms, viewers may find themselves wondering whether they have accidentally stumbled into the same show again.
The phenomenon of AI characters sharing near-identical faces has become so noticeable that Hongguo Short Drama, a micro-drama platform operated by ByteDance, has moved to rein it in.
Hongguo recently issued a notice calling for creators of AI dramas to avoid using highly similar facial appearances across different productions and characters, warning against a "one-size-fits-all" approach to character design.
The platform also said it would launch a special campaign targeting frequently used AI faces, homogenized content and unauthorized materials.
"Men, women, young and old are all using the same face. It's starting to give me the uncanny-valley feeling," one viewer commented on the social media Sina Weibo.
Another complained that AI characters seemed to make exactly the same facial expressions whenever they spoke, while others said watching several dramas in succession with nearly identical female leads gave them an unsettling sense of "something human, but not quite human."
Screenshots of the short drama videos featuring AI characters sharing near-identical faces

Screenshots of the short drama videos featuring AI characters sharing near-identical faces A comparison of several AI short dramas, including Twilight in Later Years, Mother-in-Law's Awakening and Shedding the Burden to Find Myself, shows their middle-aged female protagonists feature similar straight eyebrows and large double eyelids, while their smiles and crying expressions can also appear strikingly alike.
The platform said creators should conduct self-checks and promptly modify or replace problematic content. The upcoming campaign will specifically target "high-frequency AI faces," homogenized character designs and violations involving source materials.
A commentary published by the People's Daily newspaper in early August noted that AI micro-dramas had accounted for more than 95 percent of newly released micro-dramas over the previous six months, while their total viewing volume still lagged far behind that of productions featuring human performers.
The commentary argued that mass-produced, visually similar AI content could actually strengthen audiences' appetite for more authentic storytelling and distinctive characters.
Platforms are therefore beginning to add more checks before AI productions reach audiences.
On August 3, Douyin Group's Short Drama Creator Center launched a pre-screening tool for AI drama copyright holders and directors. With it, eligible creators can upload promotional and production materials as well as completed works for preliminary checks on potential infringement before release.
Screenshots of the short drama videos featuring AI characters sharing near-identical faces

Screenshots of the short drama videos featuring AI characters sharing near-identical faces
。文物无言，镌刻燕赵支前壮举

冀中人民在大清河上破冰运输用的木榔头。闫漪摄平津战役纪念馆人民支前展厅内，一件布满深浅锤痕的老旧木榔头静静陈列，斑驳木纹里藏着冀中群众破冰通航的悲壮往事。平津战役纪念馆宣传教育部讲解员、助理馆员张婧思驻足文物前，向参观群众娓娓道来这段冰雪里的支前故事：“这件木榔头出自安新大清河。

D | 当年大清河是冀中通往天津前线的唯一水上生命线。隆冬时节河面全面封冻，船只无法通行，前线粮弹、药品补给眼看就要中断。冀中区紧急动员4万余名群众组建破冰队，不分昼夜顶风踏冰，手持木榔头、凌枪轮番凿冰，硬生生打通130多公里的水上运输通道，让前线物资源源不断输送到攻城部队手中。”

天津战役中抢救伤员使用的网式担架。张玉超摄展厅另一侧，老旧担架、破损绷带整齐陈列，诉说着遵化“万人担架团” 舍生忘死的救援故事。“平津战役里赫赫有名的‘万人担架团’源自遵化。接到动员指令后，当地十余天便集结9500余名群众组成担架队伍。寒冬腊月炮火连天，队员们穿梭在枪林弹雨之间，第一时间抢救、转运负伤战士，最大限度保住指战员生命，成为前线官兵最可靠的生命屏障。”张婧思动情地说。

平津战役纪念馆中群众纳制军鞋、碾米、照护伤员的复原场景。张玉超摄前线青壮年冲锋陷阵、抬运伤员，后方妇女扛起后勤针线活，撑起后方“半边天”。“当年冀中、冀东各村妇救会全员动员，家家户户点灯赶制军鞋、棉袜、救护绷带。香河县一个村庄妇女合力缝制军鞋500余双，普通农户一户就能赶制30多双布鞋，鞋身层层加厚纳实，只为让冰天雪地行军的战士双脚不受冻。

E | ”展馆内，层层纳制的军鞋静静陈列，张婧思动容地说，妇女们主动看护后方伤员、筹集柴草、照料随军家属，为解放事业默默奉献力量。

华北群众踊跃支援前线。

F | 张玉超摄“解放战争从来不是单纯的兵力火力比拼，更是民心向背之争。”平津战役纪念馆陈列保管部副主任、副研究馆员张鑫站在“功臣碾”文物前，道出战役制胜的核心密码。这盘来自文安农家的石碾，是当年千万个乡村碾米点的缩影。战役期间，冀中各县村村设立碾米作坊，男女老少昼夜加工军粮，仅冀东地区就筹集军粮1.3亿公斤；数十万百姓赶着大车、驴车奔赴前线，每日近两万台运输车辆往返穿梭，打通粮食补给大动脉。

《日报》关于冀中人民热情慰问前方将士、普遍开展劳军活动的报道。张玉超摄除物资运输、伤员救护外，群众还构筑起隐秘情报防线。“天津城防关键情报依靠冀中地下交通线秘密传递，沿途百姓自发站岗放哨、藏匿交通员，面对威逼利诱绝不吐露半个字。正是依靠千千万万群众构筑的情报网络，前线指挥员精准掌握城内布防，调整作战方案，最终实现29小时速克天津，也为北平和平解放奠定坚实基础。”张鑫说。全民动员，绘就人民战争画卷从破冰队、担架团到妇救会、民兵运输队，平津战役期间，冀中、冀东、北岳各解放区形成一套完整高效的全民动员体系，数百万燕赵百姓全员上阵，以人力、车马、舟船、针线构建起牢不可破的战场后盾。香河县支前民工张有荣获的奖状。张玉超摄据张鑫介绍，彼时解放区建立自上而下的完整战勤动员机制：县、乡、村三级同步发力，青壮年编入运输队、担架队、民兵作战队，妇女统一纳入妇救会承担被服制作、伤员看护，老人、儿童负责站岗放哨、传递简易消息，真正实现“人人参与支前、户户支援前线”。数据记载，平津战役全程投入支前民工超154万人，其中群众占绝大多数，出动担架两万余副、各类运输车辆数十万台，形成“前方打仗、后方支援，军民一体、同仇敌忾” 的壮阔局面，印证了“真正的铜墙铁壁，是千百万真心拥护革命的人民群众”。

G | “最后一碗米送去做军粮，最后一尺布送去做军装，最后一件老棉袄盖在担架上，最后一个亲骨肉送去上战场……”这是当年燕赵大地传唱的支前歌谣，朴素的歌词道尽百姓对党、对人民军队的赤诚拥护，也是当年全民国防动员最生动的写照。回望烽火，感悟平凡坚守力量7月7日，卢沟桥事变89周年，纪念馆广场《并肩作战》《人民支前》大型锻铜群雕前，前来参观的团体络绎不绝。警报声回荡之际，参观者驻足肃立，在支前文物展区留下无数真挚感悟。前来参观的各界群众正在认真倾听讲解员的讲述。一名中学生在“功臣碾”前感叹：“以前在课本里只知道平津战役取得大胜，来到这里才懂得，辉煌胜利的背后，离不开百万百姓义无反顾的支援与默默付出。木榔头、石碾、军鞋都是鲜活的历史，让我明白国家安全从来不是军队单方面的事，每一个普通人都是国防力量的一份子。”纪念馆留言簿上，密密麻麻写满观众心声：“民心是最好的国防”“燕赵儿女以血肉后勤筑胜利坦途”“铭记全民支前史诗，传承国防动员精神”，一字一句皆是参观者回望烽火后的精神共鸣。深挖红色资源，赋能新时代国防动员“我们深挖人民支援平津战役的珍贵史料，把木榔头、担架、千层军鞋这些来自的文物作为核心宣讲载体，讲好燕赵儿女不畏牺牲、倾家支前的动人故事。”平津战役纪念馆副馆长、研究馆员梅鹏云介绍场馆红色宣教工作。参观完毕的各界群众走出纪念馆。闫漪摄依托海量支前文物与史料，纪念馆持续创新红色宣讲形式，打造专题讲解、实景故事、线上云展馆、红色研学课堂等多元传播模式，常态化面向各地机关、学校、企事业单位开展国防教育活动。据梅鹏云介绍，在中国共产党成立105周年重要节点，众多来自及全国各地的群众走进平津战役纪念馆，近距离触摸有温度的革命文物，亲身感受先辈们用肩膀扛起黎明的磅礴力量，在回望烽火岁月中感悟人民战争的动员密码，汲取强国强军、全民国防的奋进力量。“纪念馆将持续深挖支前蕴含的全民动员、军民同心精神内核，把红色资源与新时代国防动员宣传深度融合，让平津战役中燕赵儿女铸就的革命精神代代相传。”梅鹏云说。